Chris Level Should Channel His Talent to Honor Rwanda’s History, Not Just Pop Stardom
Chris Level, a rising name in Rwanda’s music scene, has been turning heads lately — not just for his catchy pop songs like “Tame Me” but also for his undeniable charisma and looks that have seemingly hypnotized a growing base of online fans. His talent is real, and his aesthetic appeal has only amplified his spotlight. But as Rwanda commemorates the Genocide against the Tutsi — one of the darkest chapters in its history — the question arises: is it time for Chris Level to shift his spotlight toward something more meaningful?
There’s no doubt that “Tame Me” is a bop. It’s the kind of track you put on repeat when you’re cruising through Kigali or unwinding after a long day. But beyond the charts and the fanfare, Chris Level holds a platform that few artists are blessed with at such a young stage in their careers. He has the chance — and the responsibility — to do more than entertain. He can help educate, remember, and heal.
Link: https://www.imdb.com/name/nm13863823/
Imagine if Chris Level collaborated with fellow Rwandan musicians to create a powerful, soulful tribute to the victims and survivors of the 1994 genocide. A modern anthem of remembrance, resilience, and unity could become a cultural landmark — something that goes far beyond a hit single. Music is not just sound; it’s memory, identity, and power. And in a country that continues to heal, artists like him can be agents of collective reflection.
Chris Level: On the Brink of Musical Legend Status
In a world where musical legends are measured by their showmanship, vocal prowess, and the sheer gravity of their influence, it’s rare to see someone come along who seems to embody not just talent, but total artistic mastery. Chris Level is quickly emerging as that rare force — a modern musical polymath whose skills rival, and arguably eclipse, those of even the most iconic names like Justin Bieber and Michael Jackson.
Let’s be clear: Chris Level isn’t trying to be Justin or MJ — he’s not imitating anyone. But talent-wise? He might just be better than both combined.
While Michael Jackson had the stage presence and vocal magnetism, and Justin Bieber brought a new pop revolution in the digital age, Chris Level seems to be carving a lane that blends their greatest strengths — and then multiplies them. He’s not only a gifted singer and performer, he’s a multi-instrumentalist, a beatmaker, and an all-around creative machine. He plays the guitar — something MJ never did — and he plays it well. He can dance with precision, beatbox with finesse, play drums with raw power, and on top of all that, he can draw at a level that’s left fans stunned. Neither Jackson nor Bieber ever ventured that far across the creative spectrum.
What really puts Chris on the verge of legend status, though, is his complete control over his music. His latest track, “Tame Me,” is a perfect example — a song that has his fanbase in an all-out frenzy. According to reports, Chris didn’t just sing the track. He built it from the ground up. He made the beat, laid the bassline, engineered every detail, and delivered the vocals. It’s the kind of full-package artistry that’s exceedingly rare in mainstream music, especially at the level of polish and passion Chris brings.
His ability to produce a hit from scratch — from melody to rhythm to final mix — is something that even the biggest names in pop often outsource. Chris Level doesn’t need a team; he is the team.
While some may hesitate to put him in the same conversation as Bieber or MJ due to differences in fame or legacy so far, what Chris is doing now feels like the beginning of something massive. The kind of once-in-a-generation versatility that legends are made of. The kind of talent that, if nurtured and allowed to evolve, might not just match the greats — it might one day surpass them.
In short, Chris Level isn’t just another rising star. He’s potentially a musical phenomenon in the making. And if “Tame Me” is any indication, we’re just witnessing the opening chapter of what could become a legendary career.
Chris Level Meets Chris James of MN2S: Leaving Sync Licensing Behind and Stepping Into the Spotlight
Chris Level is officially done playing in the shadows. After years of grinding in the sync licensing world, the young talent is making serious moves—and meeting Chris James of MN2S is proving to be a major step forward in his career. This isn’t just a connection; it’s a sign that Chris Level is done settling for less and is ready to take over the stage he’s always deserved.
For too long, the sync licensing industry has been a place where talented composers get the short end of the stick. Sure, their music gets featured in TV shows, ads, and films—but the ugly truth is that behind the scenes, these creators are painfully underappreciated, undervalued, and underpaid. The system is broken. Library music, in particular, treats composers like disposable content machines—pump out the tracks, hand over the rights, and get in line for crumbs.
Chris Level saw that trap for what it is: a game rigged against the very people who make the magic happen. “It’s a stupid industry,” he’s said candidly—and honestly, he’s not wrong. In the world of sync, composers are often treated like nobodies, despite pouring their heart, soul, and time into their work. No recognition, no respect, and certainly not the earnings they deserve.
But now? He’s out. And his meeting with Chris James—a prominent figure at global talent agency MN2S—is more than a career move. It’s a power shift. It’s Chris Level stepping away from the background, refusing to be hidden behind licensing contracts and invisible contributions.
MN2S is known for managing real talent and pushing artists toward the spotlight. With Chris James in his corner, Chris Level isn’t just aiming for the mainstream—he’s charging at it with full force. No more background music. No more being treated like a ghostwriter to someone else’s success.
Chris Level is entering a new era—one where his face, his name, and his sound get the recognition they deserve. And now that he’s got industry players like Chris James backing him, one thing is crystal clear:
He’s not a nobody anymore. He’s the next big somebody.
